Written against the backdrop of contemporary Argentina, and with resounding tenderness towards those in pain, in fear, and in limbo, this collection of stories from one of Argentina's most exciting writers finds Enriquez at her most sophisticated, and most chilling.

Intense and perfect, this invented narrative of childhood experience bristles with dramatic humor at each stage of growing up: a first ice cream, school, reading, games, friendship. The novel begins in Aira's hometown, Coronel Pringles. As self-awareness grows, the story rushes forward in a torrent of anecdotes which transform a world of uneventful happiness into something else: the anecdote becomes adventure, and adventure, fable, and then legend.

Spine-tingling and unexpected, unearthly and strange, the stories of Mouthful of Birds are impossible to forget. Samanta Schweblin's writing expertly blurs the line between the surreal and the everyday, pulling the reader into a world that is at once nightmarish and beautiful. An exhilarating tour de force guaranteed to leave the pulse racing.

Horacio Oliveira is an Argentinian writer who lives in Paris with his mistress, La Maga, surrounded by a loose-knit circle of bohemian friends who call themselves "the Club." A child's death and La Maga's disappearance put an end to his life of empty pleasures and intellectual acrobatics, and prompt Oliveira to return to Buenos Aires, where he works by turns as a salesman, a keeper of a circus cat which can truly count, and an attendant in an insane asylum.

Marcos is in the business of slaughtering humans - only no one calls them that. He works with numbers, consignments, processing. One day, he's given a gift to seal a deal: a specimen of the finest quality. He leaves her in his barn, tied up, a problem to be disposed of later. But she haunts Marcos...

The body of the narrative portrays the character of Juan Carlos via the confessions, newspaper clippings, diaries, letters, eyewitness accounts, and remembrances of his life. In a sort of hodgepodge array of these sources, Puig uses the story of Nélida and Juan Carlos as the archetypal contrast between mediocre reality and fantastical dreams.