One day a shell lands in a bread line and kills twenty-two people as the cellist watches from a window in his flat. He vows to sit in the hollow where the mortar fell and play Albinoni’s Adagio once a day for each of the twenty-two victims.

Sheikh Nuruddin is a dervish residing in an Islamic monastery in Sarajevo in the eighteenth century during the Ottoman Turk hegemony over the Balkans. When his brother is arrested, he must descend into the Kafkaesque world of the Ottoman authorities in his search to discover what happened to him.

This novel sweeps through 300 years in a small town near the Mehmed Pasha Sokolović bridge. Its story begins in the 16th-century Ottoman Empire, when the bridge was built, to World War I, when it was partially destroyed. The bridge acts as a dumb witness to empires being born and crushed, human lives reaching their peaks and depths, and countries being established and destroyed.